UNTIL YOU MAKE IT
Copper, Patina,
Acrylic paint, Varnish, 35"x 13"x 10", 2014
It requires
straightening up the upper body and leaning the head backwards which represent
a powerful and
confident pose.
YOU ARE NOT GOING UNDER
Copper,
Patina, Acrylic paint, Varnish, 36 ”x18”x16”, 2014
Inspired by trees growing around a chain-link
fence. Growing between the links, branches can become intertwined and the
bark of the wood can embed into the fencing as the trunk grows wider. The
impression of the fence gives a sense that the tree is not giving way and
rather it is staying in the fight. The shape of the tree is cascading in a
steep decent and the human, bended body mimics this.
Detail
Copper, silver, Bonsai
wire, Paintbrush Bristles, 10”x6”x5.5”, 2008
The wearer’s
wrist is wrapped around with roots and index finger is unnaturally raised by
wire which constricts and impedes
the body movement. This piece represents the start of a dream and the silver
flowers for a utopian, idealized, and romantic dream in an early stage of the
journey.
CONFLICT
Detail
Copper, Bonsai wire,
Vegetable net bag, 15”x6”x5.5”, 2008
The
wearer has to fully bend her elbow, and her wrist has to be crooked in order to
fit her hand into the piece. The whole arm and two of her fingers are
restricted by roots and wire. Furthermore, the wearer has to twist her torso,
causing pain during prolonged periods. This piece represents that humans
recognize the burden and respond to pressure when frustration is increased.
Detail
Copper, Electrical Connector,
Acrylic paint, 30”x24”x37”, 2009
The
piece represents the climax of hardship and difficulty. The substantially heavy
work is hung around and pulled down the wearer’s neck. To put the piece on
properly, the wearer needs to bend her knees, lean her body forward and drop
her head down. The pose of the body expresses depression, distress, and
deformity.
Detail
Copper, Sterling Silver,
Cheesecloth, Patina, Acrylic paint, 42”x19”x22”, 2009
This piece gives the wearer extreme difficulty,
especially when the roots are forcing the wearer’s head downward and in a
sideways direction and two hands are leaning backwards and holding the rest of
the piece up. There is a feeling of extreme loss when the terrible hardships
have caused so much anguish and struggle without any hope in sight.
ADAPTATION
Detail 1
Detail 2
Copper, Silver, Acrylic
paint, 40”x25”x23”, 2009
The
piece requires the wearer to lie down on the branches with her back facing
upwards. The roots are placed under her abdomen area, which symbolizes the
production of new life. Two branches emerge from each side under her arms
growing upwards around the torso. The piece signifies the beginning of
acceptance of change. This adaptation is a representation of never giving up
hope in the face of adversity so that growth can occur.
Hello, Sophia! This is Elisabeth from GCC. I met you this morning in Crossroads. Your MFA Thesis is very interesting. I enjoyed reading about what the different pieces meant. Your jewelry designs are so delicately beautiful:) Hope to see you in Crossroads again soon.
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